I entered Settmour Swamp's Baronial A&S Championship and was honored to have been chosen as the Barony's A&S Champion. This is my documentation:
Trade and Commerce of Glass Beads in Early Medieval Ireland
Purpose
To reproduce and
to study the history and social context of glass beads imported to Ireland and
native Irish glass beads exported from Ireland as well as the possible trade
and commerce of beads within Ireland.
Native and
Imported Beads in Ireland
Glass beads have
been found at numerous excavation sites across Ireland including settlement
sites (i.e. a site where a group of people lived for a period of time), Royal
sites, Ecclesiastical sites, and less often cemetery sites. Irish
Archaeologist, Dr. Margaret (Mags) Mannion divided the beads into those
imported into Ireland and those native to Ireland. She created a standardized
classification system to compare these insular (Irish) beads in 18 different
Classes. The imported Roman, Frankish, Anglo-Saxon, Viking, German, and
Merovingian beads were then matched by Mannion to those found in excavations in
their countries of origin. Imported beads are more prevalent at sites where
other imported goods were found, especially sites with glass (e.g. vessels) and
pottery (e.g. Lagore Crannóg and Garryduff and Garranes Ringforts). These
imported beads indicate that Irish society connected with Anglo-Saxon England
and Continental Europe. Mannion suspects that Irish bead makers may have
incorporated their styles into their own bead making. Given the number of
certain types of imported beads (i.e., Guido Schedule 2 xi and 6 xi) it is
believed by Hencken (cited in Mannion, 2015, p. 30) that the Irish bead makers may have then
reproduced them.
Exported Irish
Beads
In addition to
glass beads having been imported into Ireland, Irish beads are also considered
to have been exported to other countries. For instance a bead with a spiral
decoration known to be native to Ireland (i.e., Mannion’s Class 9) was found at
the 2001 Kaupang in Vesthold excavation (i.e. modern Norway). Nåsman (cited in
Mannion, 2015, p.10) believes that the Reticella beads (i.e. decorated with
blue and white cables and a red band) typically thought to be Scandinavian in
origin such as those found at Ribe, Denmark may be of “Celtic insular origin”.
Blue and white are the most prominent colors seen in native Irish beads. The
Irish Class 10 Herringbone beads were also made with blue and
white cables. The
first contact between the Scandinavians and the Irish is mid-9th century and the earliest Scandinavian graves in Dublin are dated at 837 AD. The
Irish were making a variety of glass beads well before the Vikings came to
Ireland (Wallace 2008, p. 176). Though the Vikings introduced ideas, art and
goods into Ireland, the Vikings also adopted items that were native to Ireland
such as the Irish ringed pin and the plain stick pin which was developed later.
The use of ringed pins has been found across other Scandinavian settlements.
Dating of Glass
Beads
Where beads were
found within excavation sites provide information on the dating of the beads
and on the social context or significance of the beads to those who owned and
wore them. Chemical analysis of beads gives information on the glass used to
make the bead, but not the bead itself. Instead, radiocarbon dating of the
materials in the context or location in which the bead was found indicates the
age of the bead. In these excavation sites radiocarbon dating was done on
samples of contexts such as charcoal, burnt material, oak timbers, organic
material in the layer, E ware, bedding material, and floor layers. The Irish
beads are dated from the 5th century to the 12th century, depending on the
bead’s Class. The imported beads are dated primarily from the 5th century to
the 9th century. Though some of the imported beads were dated over different
periods such as the Melon bead, other bead types were dated to a more specific
period.
In addition to
glass beads being worn, there is evidence of glass working (i.e. making beads)
that has been found at many sites across Ireland such as Deer Park Farms,
Lagore Crannóg, Garranes Ringfort, Ballydoo, Movilla Abbey, Scotch Street,
Cathedral Hill, and Dunmisk. It is likely that the glass bead makers at these
workshops would have traded or sold the beads they made. Some excavation sites
had glass bead making workshops as well as glass beads that were found in
contexts where they would be have been worn and used, indicating that those who
owned and wore the beads were not those who made the beads. Comparing the dates
these sites were known to be active with dating of the glass working artifacts
and the context dating of the glass beads provides a clearer connection between
the glass bead makers and those who owned and wore the beads. The dating
comparisons indicate that the glass beads were made, then traded or sold, and
then worn within the same time period.
Social
Significance and Meaning of Glass Beads
Beads from grave
sites are thought to be what people wore more for special occasions, and the
beads found in royal and settlement sites such as Lagore Crannóg and Deer Park
Farms, respectively, are thought to show more about everyday life and dress.
Most of the beads found in Ireland were found at royal and settlement sites
instead of graves sites as the Christian Irish primarily utilized unaccompanied
burials. Groups of beads have been found at settlement sites and at a few
graves site the latter which supports the thought that these beads would have
been strung and worn as necklaces. The various groupings also indicate that the
number and type of beads strung was varied. Strings of beads can provide
researchers with important information regarding the wearer of beads as well as
the beads themselves. Analysis of the combinations of beads strung may show the
ratio of insular to imported beads and may show whether beads from different
periods were strung together; were earlier period beads still used along with
“newer” beads? The strings of beads may also give information on the region the
beads were used along with the age, gender and social status of the wearer.
Glass beads were used as decoration on bronze and iron pins and brooches, and were
both used functionally to fasten a garment like a brat or cloak and as objects
of status. Beads and pins with beads were found in Royal sites often
near known high-status jewelry which indicated they were valued and worn by
people of high status such as a bronze pin with an annular blue bead found at
Lagore Crannóg. These same ringed pins were those later adopted by the Vikings.
My reproductions
of Irish and Imported Beads
I have reproduced some of the Imported beads
found in Ireland: Guido Schedule 6viii beads: Melon beads, Guido Schedule 2v
(a) beads, and Koch Type 49/50: Alternating stripes in spiral formation, as
well as, the Class 10 Herringbone bead known in other typographies as a
Reticella bead. I have also reproduced a ring pin with an annular blue bead
which was based on a bronze ring pin found at the royal site Lagore Crannóg. I
used modern wire for this first attempt. I intend to learn how to reproduce the
ring pin using the more period technique to create the wrought metal. Versions
of the class 10 bead and ring pin were exported and found outside of Ireland.
Modern vs Period
Bead Making
The commercially made glass
rods that I used to make my reproductions are made with the same components as
those used by bead makers in early medieval Ireland and other countries:
silica, soda (a flux to lower the melting point of the silica) and lime
(calcium as a stabilizer to harden the glass and to keep the ingredients in
their cohesive form). Silica comes from sand or flint (i.e. ground siliceous
rocks). The more silica, the softer the glass. Soda (flux) was made from the
ash of burned aquatic plants or potash which is from the ash of woodland
plants. The addition of metals create different colors (e.g., cobalt- blues,
iron- green). Glass makers use heat to form glass from its raw ingredients into
glass which is then re-heated, shaped and manipulated into pre-shaped glass
rods. Glass makers then sold or traded these glass rods to glass bead makers.
Evidence was found in
Ireland, as in other countries, that the workshops of glass makers and those of
the glass bead makers were typically in different locations. Henderson and
Ivens (cited in Mannion, 2015, p. 12-13) indicated possible evidence of glass manufacturing
in Dunmisk, County Armagh. Glass is now
produced chemically and therefore is more easily accessible. Modern glass
manufacturers are also able to create a greater diversity of colors of glass and glass
with special reflective, reactive, and color shifting properties.
There were different methods of working the
glass in period. Glass was melted in a crucible and a metal rod was placed in
the molten glass to pick it up and then wind it onto the mandrel (i.e., hot
trailing). A rod of glass that was heated and then wound onto the mandrel was
also used. This method of winding heated glass onto the mandrel is what I used.
I used commercially produced stainless steel mandrels that are not unlike the
iron rod mandrels used in period. I created stringers and twisted stringers
that I then used to decorate my Koch 49/50 beads and the Class 10 Herringbone
Beads. Stringers can also be used for other decorations such as drawing waves,
zigzags, lines, spirals and dots on beads. Bead makes in period decorated their
beads in the same manner. Modern heat
sources are torches with fuels, such as the Hot Head Torch and Mapp Gas that I
use to recreate the beads. Period heat sources were stone or clay structures
fired with wood or charcoal with the bellows to add extra oxygen to increase
the temperature of the flame.
Experimental Bead
Furnace
Mistress Elysabeth (Lissa) Underhill, Mistress
Brunissende (Bruni) Dragonette, and I have created experimental versions of
more period furnaces as a heat source for making beads. I have successfully
made beads on our latest versions of the furnace.
References
Cummings, Keith, A History of Glassforming,
University of Pennsylvania Press,
Chapters 1-4, 2002.
Dubin, Lois Sherr, The History of Beads: from
30,000 B.C. to the Present, Harry N.
Abrams, Inc., New York, 1987.
Hencken, H. (1950, November). Lagore Crannog: An
Irish Royal Residence of the 7th to 10th Centuries A.D. Proceeding of the Royal Irish Academy,
1-151.
Lynn, C., & McDowell, J. A. (2011). Deer Park Farms: The excavation of a raised
rath in the Glenarm Valley, Co. Antrim.
Norwich: Stationery Office. Chapters 1, 18, 34 and 35
Mannion, Margaret. (2013). An Examination of Glass Beads from Early Medieval Ireland.
(Doctoral dissertation). Retrieved from ARAN-Access to Research at NUI Galway. URI: http://aran.library.nuigalway.ie/xmlui/handle/10379/3724
Mannion, M. (2015). Glass beads from early medieval Ireland: Classification, dating, social performance. Oxford: Archaeopress
Tettinger, Corina, Passing the Flame (A
Beadmakers Guide to Detail and Design),
BonzoBucks & Books Publishing, 2002.
Wallace, P. 2008. Irish Archaeology and the Recognition of Ethnic
Difference in Viking Dublin. In J. Habu, and C. Fawcett, and J. M. Matsunaga
(eds), Evaluating Multiple Narratives:
Beyond Nationalist, Colonialist and Imperialist Archaeologies. New York.




